Neale Sourna's QUANTUM LEAP: "Rule of Thumb", Act III

QUANTUM LEAP: "Rule of Thumb"

written by Neale Sourna


"Quantum Leap", "Dr. Sam Beckett", "Admiral Al 'The Observer' Calavicci", "Tina", "Gooshie", "Ziggy", and other concept elements the property of Belisarius Productions and Universal Studies.

Quantum Leap: "Rule of Thumb", Teaser & Act One
Quantum Leap: "Rule of Thumb", Act Two
Quantum Leap: "Rule of Thumb", Act Three
Quantum Leap: "Rule of Thumb", Act Four

ACT THREE

FADE IN

MONTAGE - NETWORK NEWS FOOTAGE
A distinguished middle class woman displays her full length fur for garage sale. A displaced homemakers' and battered wives' shelter. Women with small children live on the street. Shivering, abandoned purebred dogs. Empty houses. Etc.

				SAM (v.o.)
In the late '80s, the president's smooth
economic plans sputtered and failed. The
market fell in places like Houston's oil
district. Fathers lost jobs. Mothers sold
their furniture for food and rent. Dignity
waned as parents, who could no longer protect
and provide for their families, lost their
homes to public auctions. With mortgages
they couldn't meet, some just packed up and
drove away.
INT. BECKSTON MASTER BEDROOM - PREDAWN
LADONNA lies sleeping, a little furrow across her brow. SAM sits across the room at the window as he watches her, then looks outside.

				SAM (v.o. continues)
Many of us gage our personal identities
by how others perceive us and by what we
possess. I'd always known others believed
that, but not me. With my parents' guidance,
I've always known Sam Beckett ...until now.
Surprising him, LaDonna gracefully strokes his face, his hair, his shy, reluctant, grateful cheek. First a tentative kiss followed by a full one, then he takes her back to bed.

INT. BECKSTON MASTER BEDROOM - LATER
SAM and LADONNA under the bed covers. Embracing. Asleep. LUZ SITS at the foot of their bed, staring at them. LaDonna wakes and smiles at her.

				LADONNA
Mornin', baby.

SAM & LUZ
(simultaneously)
Morning.

The parents laugh and, for the first time, Luz smiles broadly. She crawls forward, kisses them both, and leaves.

				LADONNA
You'd better get goin'. I don't want to
hear any talk about Deb writin' you up for
bein' late.
Sam sits up to leave, looks back at LaDonna, and falls back, pulling the cover over both their heads.

INT. OFFICE LAB - DAY
At their terminals, SAM and KAZ check pages and pages of printouts.

				KAZ
(pleading)
...but it's the Jetties.
(in ecstasy)
Night fishing along the edge of the ship
channel.

SAM
Now's not a good time.

KAZ
It never is; besides, me and Rink are
psyched!

SAM
(laughing)
You are such a big kid.

KAZ
(faking sadness)
Yeah, that's why Trina left me.

They both laugh until Kaz' laughter trails off as ALVAREZ ENTERS with pad in hand.

				ALVAREZ
Gentlemen, I'm sorry but you're going to
have scratch and redo the entire run.

KAZ
What?! Why?!

ALVAREZ
We have forty more wells shutting down.

KAZ
Why didn't you tell us sooner?

ALVAREZ
I just found out myself.

SAM
(contemptuously)
"Just".

THE OBSERVER ENTERS, he smiles at Alvarez until he sees something's wrong.



SAM (continues)
(angry)
"Just"?! I don't believe this!
Kaz frowns and tries to cool things down.

				KAZ
(calm, professional)
Which wells and when do they go down?
(surreptiously to Sam)
Hey, I'm the hot one. Cool off.
Sam seethes, silently.

				KAZ (continues)
(to Sam)
Are you all right?

SAM
I'm fine.

ALVAREZ
Are you?

OBSERVER
Yeah?

Sam glares at the Observer over Alvarez' shoulder while she continues to assess Sam, until Kaz breaks her attention.

				KAZ
These them?
He picks up her notepad, looks approvingly at them, shows them to Sam who snatches the pad from Kaz.

				ALVAREZ
Yes, well, drop everything else because I
need your first run ASAP.

SAM
(with Texas accent that
stays with him)
Well, "ASAP" I need you to leave us alone
and stop tryin' to separate me from my job
AND my wife.

OBSERVER
What's with the drawl, Sam?

Sam doesn't hear him.


				ALVAREZ
Henry, you don't want to do this.

SAM
Don't tell me what I want to do! I'm in
charge of my life, not you!

He throws the pad down at her feet, and gestures menacingly at her.

				SAM (continues)
Stay away from LaDonna and the kids.
SAM STORMS OUT.

				OBSERVER
Gooshie!
The OBSERVER EXITS. Kaz and Alvarez finally look askance at each other.

				KAZ
You keep coming down on us...him. He's got
enough problems without that.

ALVAREZ
We've all got problems. Don't you think I
hear the gossip about my brother-in-law AND
his best friend still being here when others
are still flying out the door?

KAZ
That makes you top "man" around---.

The comment slips out too fast to stop but not too fast to regret. She ignores it.

				ALVAREZ
(exasperated)
The "bottom line" is they want more cuts.
First staff, then health and life benefits.

KAZ
You're doing all right.

ALVAREZ
(plain, direct, ironic)
Am I? I'm overworked and overdue for a
raise or two myself. Plus, I know where
the unemployment office is, too.

Silence. He swallows with difficulty. More silence as he squirms a little.

				KAZ
How about I buy you lunch, Boss?

ALVAREZ
(lighter, joking)
Oooo, brown nosing. That could make the
others jealous.

KAZ
(staring into her eyes)
I like brown noses.

She rubs the finger under her wedding band.

				ALVAREZ
I...I've already got a lunch date I can't
miss, maybe another time?

KAZ
(tightly)
"Another time". I understand.

As she walks towards the door, Kaz scoops up her notepad, flops into his chair, and slams the pad down on the table. She pauses at the sound but goes on.

Then, he suddenly cranes his neck to take one last look at her as she leaves. After she's gone, he repeatedly pounds his fist into a file cabinet.

EXT. HIGH SCHOOL BALL FIELD - DAY

BALL PLAYERS run patterns as the COACH observes. RINK is very good, very aggressive. Too aggressive as he and another boy collide. They part, skirmish, collide again. FIGHT. The Coach and other Players pull them apart.

Rink doesn't like the Coach's interference and in his rage strikes and misses because of the Coach's agility. He gives the boy the thumb to get out now. With his anger barely under control, RINK EXITS.

INT. BECKSTON HOUSE - SAME TIME

LADONNA places ANOTHER PAWN TICKET and MONEY on the dresser beside a FRAMED FOOD STAMP WITH A CIRCLE AND BAR ACROSS IT like a "no smoking" sign. She turns to exit. PHONE RINGS. She returns and answers.

				LADONNA
Geez, Deb, I'm just leav---.
(beat)
Who?
(beat)
Oh!. How are you?
(beat)
What? Repeat that, please?
(beat, beat)
Is she all right?
(beat)
It...it won't happen again.
(beat, beat)
I know.
(beat)
I know. That's understandable. I'll
tell him.
(beat)
Yes! I'll make sure and tell him.
Hanging up, she holds her head in her hands for a while then wearily exits.

EXT. HOUSTON ICE HOUSE EATERY "MAMIE LEE'S" - LUNCHTIME

A SIGN: "NO PROFANITY PLEASE". An OVERHEAD FAN turns slowly as ICE SLIVERS ARE CHIPPED FROM A BLOCK while VARIOUS PEOPLE sitting at tables eat, play dominoes, read the HOUSTON CHRONICLE.

ALVAREZ and LADONNA are in mid-meal, LaDonna picks at her food. At a distance, SAM STANDS WATCHING THEM. He strides towards them but stops abruptly when realizes his hands are shaking and flexing involuntarily. With a quick look back at the women, he EXITS RUNNING LIKE A MAN CHASED BY DEMONS.

THE OBSERVER ENTERS and looks around.

				OBSERVER
Ah, I haven't seen an ice house since I
transferred to Edwards'.
(to unseen speaker)
What? Oh, yeah.
(looks around more thoroughly)
Gooshie! You guys screwed up, Sam's not
here!
(to self)
Swiss cheese computer.
(beat, a piping whine from
his Handlink)
Well, excuse me, Ziggy the Perfect.
(listening, exasperated)
Then, please do that and let me know when
you lock in the right coordinates.
(looking at LaDonna and Alvarez)
In the meanwhile, I'll just make do.
NEW ANGLE

				LADONNA
Yes, but he doesn't think anyone knows.

ALVAREZ
Well, I certainly didn't; especially,
since he's always so nasty to me.
(deadpan)
I guess, it's nice to know men become
more mature as they get older, huhn?

The Observer scrunches his face as the women both laugh. LaDonna rubs her brow and forces a sudden, false smile.

				LADONNA
Kaz is really a sweet guy.
Alvarez' eyebrows express a silent "so what" then furrow. In the following silence, LaDonna's teary eyes look off into the distance.

				LADONNA (continues)
Rink and Alison---.

ALVAREZ
With the red hair?

LADONNA
(nods)
---went to a movie last night.

OBSERVER
Drive In?

ALVAREZ
And?

LADONNA
They argued about...nothin'. D.A., Rink
grabbed her and held her wrists so tight
there's fingermarks on them.

ALVAREZ
He told you this?

LADONNA
No, her mother called.
(beat)
I saw the girl myself on my way here.

ALVAREZ
(hushed)
What're you going to do?

LADONNA
I don't know.

ALVAREZ
You have to DO something.

OBSERVER
Here. Here.

LADONNA
What?

ALVAREZ
DO anything. Figure something out before---.

LADONNA
I can't think anymore and my feelings are
all over the place!

ALVAREZ
Those feelings've given me great advice
many times. Listen to them. What do they
tell you?

OBSERVER
LEAVE HIM!

LADONNA
(slight, self-conscious laugh)
If he heard us right now...he'd call it
betrayal. God, my head's splittin'.

Alvarez pulls a small bottle of aspirin from her bag.

				ALVAREZ
The men I work with always say, "Take a
pill".

LADONNA
(exhausted)
I'm so tired. I can't keep holdin' it all
together.

ALVAREZ
Like your mother's still doing. Don't think
the kids can't feel the pain you're both in.
Do what you have to do. Let go. Leave him.
It'll save lives and souls, when you do.

LaDonna throws her hand up for no further discussion.

				ALVAREZ (continues)
Whatever you need, I'll be there.
LaDonna nods curtly. Alvarez grabs the aspirin and swallows some, leaving the rest. As she rises to go, they make eye contact.

				LADONNA
I'll be fine, besides, he's madder at you
than me.
Alvarez agrees with a halfhearted nod.

				OBSERVER
Don't worry, my lovely Jalapena. Sam'll
take good care of her. Gooshie!

EXT. PARK - DAY

SAM lies under a tree, a deep scratch under his eye. THE OBSERVER walks up.

				OBSERVER
Boy, are you getting hard to find!

SAM
(still has accent)
Oh, hi, Al.

OBSERVER
"Oh, hi, Al"? Lives hang in the balance,
the whole project's about to crash and
lose you in time forever, and that's all
you can say?

Sam stretches lazily.

				SAM
How's Tina?

OBSERVER
You're supposed to be solving problems and
you ask that? What are you doing here?

SAM
When any of us got angry, Mom and Dad would
send us out to be alone in the fresh air.
Not a fun thing in the dead of winter in
Indiana. I was runnin' when I got her. Now,
I'm feelin' like me, again.

The Observer scrutinizes his friend from toe to head.

				OBSERVER
Where'd you get the scratch?

SAM
I ran into a low tree branch.

OBSERVER
Are you sure?

SAM
"Am I sure"?

The Observer shrugs. Sam sits up.

				SAM (continues)
(tired of repeating it)
I didn't mean to hit her. It was an
acciden---!
Sam stops his own words.

				OBSERVER
But, she didn't "accidently" hit you.

SAM
She made me mad---.

Sam catches himself, again.

				OBSERVER
"Made"?
Silence.

				SAM
I was havin' some trouble, Al. I was doing
the total opposite of what I wanted; but,
my head's as clear as crystal now.

OBSERVER
Are you sure?

SAM
Yes! LaDonna'll be fine. I know it.

INT. HOSPITAL EMERGENCY ROOM - EVENING

A WOMAN PATIENT on a table. A HOSPITAL ADMINISTRATOR, TOM (40s, haggard), looks through I.D. papers as he finishes his paperwork.

An ORDERLY, RONNIE (tough 20s woman, inquisitive), cleans up the substantial mess from the emergency procedures (BLOOD, NEEDLES, PAPER, CLOTH, etc.), looks at the patient's MEDICAL CHART.

				TOM
(to Ronnie)
When did orderlies become doctors?
(checks the time)
Why can't I ever get outta here on time?
Ronnie leans over the body.

				RONNIE
(to patient)
You didn't have a chance, did yah? Lucky.

TOM
"Lucky"?

RONNIE
Same thing happened to my si...this person
I knew. Busy parking parking garage, you'd
think somebody'd help her, or, at least,
spot her sooner.


TOM
(suspicious)
You said, "knew".

RONNIE
She's dead.

Ronnie smugly taps on Tom's paperwork.

				RONNIE (continues)
I bet they won't even take care of her.
Tom glares at her then rummages through the personal items, triumphantly retrieving an INSURANCE CARD.

				TOM
An excellent insurance company.

RONNIE
But, is this particular policy still good?

Tom shuts his eyes in frustration.

				TOM
I'll never get outta here.

RONNIE
You want to hear something really sick?

TOM
Do I have a choice?

RONNIE
My cousin told me just Monday they'd laid
off some of the security out there.

Her face swelled with cuts and bruises and stuffed with tubes and tape, the PATIENT IS ALVAREZ.

FADE OUT

END OF ACT THREE


Quantum Leap: "Rule of Thumb", Act Four


Quantum Leap: "Rule of Thumb", Teaser & Act One
Quantum Leap: "Rule of Thumb", Act Two
Quantum Leap: "Rule of Thumb", Act Three

Quantum Leap: "Rule of Thumb", Act Four

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